Diana Williams (B’89) is the CEO & co-founder of Kinetic Energy Entertainment. She has a wide range of experience in the entertainment industry, developing IP and producing creative content for distribution across storytelling media. Throughout her career, she has been at the forefront of working with emerging and established talent to ensure that all voices are included in an ever-evolving industry.

Kinetic Energy Entertainment is a multi-media development and production company. Kinetic’s project slate includes a series in development at HBO, Founder Hustle podcast based on 1863 Ventures’ focus on entrepreneurs of color, Crimson, an epic fantasy/thriller take on Alice in Wonderland, the cross-platform storyworld of The Gatecrashers, political sim videogame Political Arena, recipe-memoir Adventures in Starry Kitchen, and a documentary with Apple+.

An award-winning producer, she produced the critically acclaimed feature film Our Song, which earned her a nomination for an Independent Spirit Award in the Producer category. Other credits include documentaries Room 237, the Emmy award-winning Sylvia Drew Ivie, Student Academy Award-nominated Another First Step, Industrial Light & Magic: Creating the Impossible, Method to the Madness of Jerry Lewis, and Dear Mom Love Cher.

In addition to producing, Williams has held various positions in the entertainment industry. She was the creative development and franchise producer at Lucasfilm within the Story Group, the team responsible for developing and maintaining narrative cohesion and connectivity throughout the Star Wars universe. While at Lucasfilm, Diana developed film and tv (including Star Wars Rebels, Rogue One), mobile and console video games (including 2015’s Battlefront), publishing (Marvel’s Star Wars comics and novel expansions), and was a member of the team that launched ILMxLAB, an immersive entertainment and mixed reality laboratory, with projects including Vader Immortal (writer: David Goyer), Star Wars: Secrets of the Empire for The Void, and Alejandro González Iñárritu’s Academy Award winning experience Carne y Arena. She was also a production consultant for BET on Let the Church Say Amen (director: Regina King), Gun Hill Road (creator/director: Reggie Rock Bythewood), and Untitled Kenya Barris Project (creator: Kenya Barris).

Currently chair of the Interactive Board of Jurors for digital and immersive storytelling for the Peabody Awards, Williams is also on the strategic planning committee of The National Academy of Sciences’ Science and Entertainment Exchange; the advisory committee for the Royal Shakespeare Company’s digital development; the advisory board for UK-based organization Future of Film; and the boards of Diverso (a nonprofit organization by students for students, dedicated to empowering the under-represented storytellers of the next generation), The Overlook Film Festival (genre festival), and Here/No Proscenium Summit (focused on interactive and immersive events, theater, and creators). Williams began her career in production as an assistant director and is a member of the Directors Guild of America (DGA) and the Academy of Motion Picture Arts and Sciences (AMPAS).